By Steven Seedo
PARAMARIBO – Foundation Bondru Entertainment Suriname (SBES), founded on 12 August 2022, is busy bringing itself order and structure in the music event in Suriname and has thereby conducted a registration campaign. This has led to 255 registrations, subdivided into 126 vocalists, 10 word artists, 32 rappers and 87 instrumentalists. “This data helps us to better map the music scene and to work more specifically on improvements,” says chairman Fabian Sijmor.
The information collected serves as a basis for further policy development and targeted support. The ultimate goal is to arrive at a professional working environment for musicians. The registration provides insight into the relationships within the scene, such as the predominance of vocalists compared to instrumentalists.
“The lack of regulations is not a direct problem, since making music is a free choice or profession without compulsory certification”
Challenges
SBES would rather speak of challenges than problems in the music scene, since musicians have different experiences. Where one artist functions well within the current situation, the other experiences obstacles. The lack of regulations is not a direct problem, since making music is a free choice or profession without compulsory certification.
Self -discipline and a professional attitude are essential to grow as a musician, according to Sijmor. One of the major challenges is the lack of awareness about music rights. Suriname has legislation in the field of copyright, but the institutes for this to function effectively are missing.
The foundation is committed to the restart of a working music authentic rights system and is looking for support within the sector. Collaboration with actors such as Horeca, Mediahuizen and the government is necessary to set up a sustainable system.
Professionalization
In addition to structural adjustments within the sector, Sijmor emphasizes the importance of professionalization among musicians themselves. “Without the right setting, change is limited.” Workshops and educational sessions play a crucial role in this process. An important stumbling block is the low turnout in educational activities.
SBES argues for a change in mentality, in which musicians actively think about their career and invest in knowledge and skills. A concrete example of professionalization is the importance of a sound check prior to a performance. Artists who neglect this limit their own performance.
There is also a clear definition of the concept of ‘musician’. This complicates the recognition of music as a fully -fledged sector within the economy.
Sijmor calls the collaboration with the Culture Directorate a milestone. Agreements have been made about future partnerships. The foundation will act as a bridge between the government and the music community. This partnership should lead to structural improvements within the sector and a broader recognition of the music industry as an economic pillar.
Mission
Despite critical sounds, SBES remains focused on her mission. “Change takes time and we ask the music scene and society for patience and trust.” Work is being done on policy documents and action plans to systematically improve the music scene. SBES does not function as an association with members, but as an independent foundation, which she believes is essential to be able to operate effectively and sustainably.
Before 2025, ambitious projects are on the agenda, including workshops and legal advice for musicians. The Bondru Entertainment Suriname Foundation strives for a music scene in which musicians have access to knowledge, exercise rights and develop professionally.
The organization wants to act as a facilitator, so that artists can flourish in a well -structured environment. A lasting impact will be created by systematic improvements, involving both musicians and other stakeholders, such as media and stages. “We offer the tools, but the musicians have to take the step to a professional career.”
